“The Queen of the Night of both premieres was the young Czech coloratura soprano Lucie Kaňková, one of the few optimal (if not the only one) representatives of the supremely difficult part in the Czech and Slovak region. In both arias she demonstrated not only technical virtuosity (at the premiere she even added an unwritten held high F in Der Hölle Rache), but also that dramatic dimension that the role inevitably needs.”

Operaslovakia.sk

Pavel Unger, 20.2.2023

Košická Čarovná flauta s odkazom na mozartovské korene má rozprávkový i filozofický rozmer